Staircases, mantels, wainscots, inglenooks, and more: a quick review of some outstanding examples shows that historic woodwork is a treasure-trove of design ideas.
Woodwork is where we look for clues about the style and date of an old house. Back issues of Old-House Journal is where we look for both the classics and some astonishing surprises . . . something I noticed as a scanned back issues on the occasion of our 50th birthday.
Woodwork plain and fancy; Greek, Palladian, or Jacobean; painted in white enamel, gleaming mahogany, oak with shellac. Some examples truly are one of a kind, whether that be a scrolling newel, bold and musical, or a three-dimensional Gothic carving done by German immigrant craftsmen.
Woodwork and Trim Style Variants
Wainscots and chair rails date to Colonial times, though floor-to-ceiling wall paneling was the main event in houses of the Georgian era, especially on fireplace walls and in entry halls. Raised panels became popular around 1750. Formal raised-panel wainscoting consists of floating wood panels held in place between vertical stiles and horizontal rails.
Beveling the panel’s edges creates a three-dimensional surface with visual depth. A variation, the flat-panel wainscot, is probably a Shaker invention. In the Adam style that followed (Federal period in the U.S.), wall paneling receded to a low wainscot, over which wallpaper might be hung. This is the look emulated during the Colonial Revival ca. 1885–1940; sometimes, only the chair rail is used without a wainscot below.
Formal and with high ceilings, Victorian rooms demanded treatments that began at the baseboard and rose to the ceiling, like a classical entablature. The Arts & Crafts era brought back the high wainscot, often made of vertical battens framing wood or decorated panels.
Unique and Historic
Most houses have predictable trim that falls into just a few style categories. Still, a house might have one knockout element. High-style homes built for wealthier patrons present rooms full of raised paneling, hand-carved mantels, and a grand staircase with turned balusters and decorative spandrels.
Spectacular examples come from Greek Revival buildings ornamented with classical mouldings and ornaments (anthemions, dentils, laurel wreaths). The Victorian era brought some fantastical trimwork that includes bold casings around unusual windows and huge pocket doors. The endless variety of built-ins found in Craftsman-era bungalows elevated those interiors that otherwise had plain, flat trim.
Whimsical and Classic Woodwork Inspirations
Elements built into the house deserve special consideration. Save and restore woodwork that is original. Those planning an addition or replicating details gone missing have multiple avenues for information and inspiration. House museums are a good source but so are intact houses in your neighborhood or town.
Books with photos of old houses, historical trimwork, and even new houses in the classical tradition all provide examples to spark ideas. While your design vocabulary should remain consistent with the house, know that unique, creative, and odd variations have been expressed in every era.
Woodwork and Trim Glossary
Balustrade — More precise than “banister,” the assembly of spindles or balusters with bottom rail and top rail or cap.
Batten — A strip of wood that covers a seam. Board and batten describes siding or wainscot composed of wide boards with narrrow strips nailed over spaces between.
Box Beam — A “faux” decorative beam built up from boards joined together to form a shell.
Casing — The trim around windows and doors that covers framing and contributes style.
Colonnade — A row of columns; in A&C-era houses, a room-dividing assemblage of short columns or piers atop a low wall or casework.
Corner Block — A trim piece used in the upper corners of windows and doors.
Cornice/Crown — A projecting ornamental moulding or assemblage of mouldings along the top of an interior wall.
Dado — The lowest division of a wall, above the baseboard, often treated decoratively.
Dentils — The “little teeth,” a series of close-spaced blocks in a classical moulding.
Ear — A projection at the corner of an architrave of a door or window; AKA shoulder.
Egg-and-Dart— Repetitive decorative design consisting of egg shapes alternating with darts or arrows, used to enrich ovolo mouldings.
Fret — A repeating ornamental design of interlaced vertical and horizontal lines, such as the Greek key pattern.
Header — The top piece of window and door trim, often shaped or built up.
Inglenook — The cozy corner beside an open fireplace, or the bench (or pair of facing benches) flanking a hearth.
Linenfold — A carved Gothic ornamental panel treatment made to resemble folded linen.
Moulding — A decorative strip or contour, done in stone, plaster, or wood, used to divide or finish walls.
Newel — A large structural post that anchors the handrail and balustrade of a staircase.
Overmantel — An ornamental structure over a fireplace mantel, most often of wood and sometimes with a mirror.
Raised Panel — A variant of frame-and-panel construction for doors and wainscots, where stiles and rails hold beveled panels in place without nails.
Wainscot — Finish, usually wood, on the lower part of the wall (or dado); it can be flat, raised-panel, or beadboard. A skeleton wainscot consists of wood rails and battens with panels covered in fabric, leather, or embossed material. In the A&C period, the higher “medieval” wainscot capped with a plate rail was revived.
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The carved and turned stair is part of a monumental hall under a glass dome, in a Queen Anne house. Photo by Dan Mayers.
Photo by Steve Rosenthal.
The Willows is a Gothic Revival house in Morristown, N.J.; its foyer mantel of carved oak and chestnut is a showstopper. Photo courtesy of the Old-House Interiors Archive.
This quintessential Colonial Revival entrance hall is complete with a raised-panel wainscot, barley-twist stair balusters, and a full suite of mouldings. Photo by Steve Rosenthal.
Assemblages: Whether in medieval Craftsman mode or Neoclassical Revival, some rooms present as a portfolio of woodwork, from the crown moulding to the baseboard, wainscot and mantel to the staircase, all speaking one language. Photo by Paul Rocheleau.
A floor-to-ceiling keyhole window is inset with stained-glass panels in an 1884/1897 Queen Anne house, in Bloomington, Illinois. Photo by Gross & Daley Photography.
In an 1840 country Greek Revival house, the scrolling staircase newel is a musical highlight. Photo by William Wright.
Arts & Crafts and Tudor: “No other treatment gives such a sense of friendliness, mellowness, and permanence as does a generous quantity of woodwork,” wrote Gustav Stickley, of precedents medieval to Elizabethan. Photo by William Wright.
Notched Ends: A clothespin notch was a favorite motif for the sawn ends of rafter tails and pergola beams during the bungalow era. Barry Dixon designed this new staircase for a Delaware beach house. Photo courtesy of Old-House Interiors Archive.
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