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The Quechua of Ecuador have a prophesy that one day the Eagle will fly with the Condor. The Eagle is the technological modern civilization of the North, and the Condor is the indigenous way of the South. One day, the Iachak (wise ones) say, the modern world will be in harmony with the ancient ways.
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Green is the symbiotic relationship between the photosynthetic bacteria called chloroplasts and the cells which transform that solar energy into blue-green algae, honeysuckle, and white pine.
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Green is the cooperative order of nature that placed the bacteria called mitochondria into harmony with each animal cell so that the chemical energy they produce becomes honeybee, swallow, catamount, and human.
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Green is that one creature’s waste is another creature’s food, that the dying feed the living, that a flowing homeostasis created by the totality of living things maintains the conditions for living things to flourish.
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Green, then is the delicate webwork that ties all things, animate and apparently inanimate, into a matrix of consciousness and empathy that both contains and informs all things.
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Green is the cosmic dance of creation and co-creation that is, and has always been, our destiny and our joy.
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Green is coherence – wholeness (haol, health).
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Green is interdependence (diametrically opposite the American suburban paradigm).
To the degree that the design/build process is one of perceiving, acknowledging and creating coherence or wholeness, it is green.
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To the degree that it is an imposition of our own ego, it is not.
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To the degree that it is a manifestation of the mechanistic paradigm – it is not.
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It requires seeing, understanding, and a translation – through our hands – into the craft of forging an authentic vision of the living earth into a space for human habitation.
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If you work with your hands, you’re a laborer.
If you work with your hands and mind, you’re a craftsperson.
If you work with your hands, mind and soul, you’re an artist
– manifesting love (or harmony) in material form.
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Green is the direct conversion of solar energy – of the Cosmic OM – into living things.
A green house is a living organism and an extension of our own being.
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Our clothing is our second skin, and our home is our third skin – and both must breath (transpire moisture), be flexible and resilient, self-regulating – responding and adapting to its inner and outer environment (including temperature, humidity, pressure, insolation).
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Anthony Lawlor calls the house “the temple of our souls”. Religion literally means to bind together what has been sundered. House-building, ideally, is a religious experience, manifesting the sacred from the profane, crafting an integrative whole from a myriad of disparate parts.
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Green or ecological architecture is a process of reconnecting to the web of life. A process, not a product. And this, I believe, is the root of the confusion over what constitutes green design and building.
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Green building has more to do with relationships between the designer, builder and home-dweller; among the crew; between material, method & mindset; than it does with a specific structural or physical outcome.
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Just as healthy food must be prepared with love and reverence, a healthy (or green) house must be designed and built with a sacred appreciation of the field of consciousness that it manifests.
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Ecology is all about relationships. To be ecological – or green – is to shift from parts to whole, from objects to relationships, from structure to pattern.
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Wholeness, relationships and pattern – modeled after what Christopher Alexander called the quaternary archetypes of nature and society, the patterns of patterns, the holographic mimicry of the created Universe.
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“Every individual act of building is the process in which space gets differentiated. It is not a process of addition, in which parts are combined to create a whole, but a process of unfolding, like the evolution of an embryo, in which the whole precedes the parts, and actually gives birth to them.â€
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A green house does not have to be zero net energy or zero waste, but it has to be part of a community which produces the energy it consumes and recycles all its wastes.
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To be green, a design must (literally) incorporate the social, political, economic, and ecological relationships it participates in – those interactions with other homes, with places and modalities of employment, with local governance, with schools, markets, transportation routes, forests, fields, farms and recreation.
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As long as we’re building single-family homes on privately-owned lots, we’re not building green. As long as we build with materials or methods that are not environmentally benign, non-toxic to humans and other life forms, and fully sustainable and recyclable, we’re not building green.
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A green home unfolds from the place it is birthed, from the dreams of the home-dweller, from the creativity of the designer/builder, from the requisites of the community which enfolds it.
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Green is holographic, reciprocal, participatory, and embedded in cooperative partnership with the totality of the environment.
Solar & Super-Insulated Healthy Homes
Replies
Robert Riversong,
I was wondering when you were going to START a thread.
Worth the wait.
I will take this part very seriously:
Our clothing is our second skin, and our home is our third skin – and both must breath (transpire moisture), be flexible and resilient, self-regulating – responding and adapting to its inner and outer environment (including temperature, humidity, pressure, insolation).
thanks, John B
Certainly one of your points was on target:
>>"Green building has more to do with relationships between the designer, builder and home-dweller.........than it does with a specific structural or physical outcome."
And once again, outstanding.