I know the woosy little cloths are available, convenient, and generally do a fairly good job, but I’m needing to work on a larger scale. I am asking for your favorite recipe – hopefully it will be compatible with everything from shellac to lacquer to waterbased poly.
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I just use turps, but I have heard of adding a small percentage of linseed oil to the mix
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The real stuff is getting hard to find. Have you tried the imitation?
My Dad was an artist - did oils on canvas - and used a T & BO mix for a glaze. That also was his favorite formula for tackrags. I've tried it with raw linseed as well, (stays tack forever) but both will affect water based finishes.
For me there is nostalgia in the aroma. I miss working with him and that can bring back good memories. I'll try turp alone on a sample. Maybe several, now that I am thinking about it.
I don't have trouble getting real turpentine.I vac first and then onm a floor can still trun a rag brown using iot to swab up dust with the turps. Love the smell myself.It is also a good cleaner for varnished kitchen cabinets that get dingy looking from oils in the air
Welcome to the Taunton University of Knowledge FHB Campus at Breaktime. where ... Excellence is its own reward!
I vacuum with a brush attachment. Sometimes go over it (like on a floor we're refinishing) with store-bought tack cloth--theirs seem to be pretty sticky--must have some varnish and will harden if not kept in plastic bag. (I suppose they are also a fire danger from spontaneous combustion--never thought about it till just now!)
I'm sure if you ask at Knots, theyll have recipes for home-made tack cloths.
You're right, the vac is first and the commercial cloths work well - while they last - and I was thinking about Knots, but I thought the guys here may have a better way to do things on a big scale. Imagine a big room almost the size of a High School gym paneled with a fortune in verneer and moulding all needing to be tacked down. I have concerns about the quality of the atmosphere in there, as well.
Go to a music store and ask for a hunk of "bow rosin". Its a sticky lump of hardened goo that violin players rub on the horsehair to get the bow to make music when drawn across the strings.
Put that in a quart or so of turpentine -- the real stuff -- and let it dissolve for a few days.
Then soak some rags in that mix, and wring them out. Presto -- tackrags.
Politics is the antithesis of problem solving.
I've heard of doing it with alcohol and rosin, as well, but don't have much idea of proportions.
I've always diluted some of the actual finish. shellac, gets a thinner version then what the seal coat will be, Varnish, the same..Waterbased, the same.
Never an issue with compatibilty that way.Spheramid Enterprises Architectural Woodworks
Repairs, Remodeling, Restorations
You gonna play that thing?
http://www.youtube.com/watch?v=32Ln-SpJsy0
Thanks for the reply. I've done that too. It's the only thing I'll try for laquer on metal - if I can't get someone more qualified than me to shoot it.
In the job I'm looking at, I'm a little hesitant to water a $600 piece of verneer, or a couple hundred of them on this job.
You might start with pieces of polyester doubleknit - definitely the tackiest textile ever made.
Actually, that reminds me of the time I decided to use a pair of worn out socks to apply shellac--turns out the dye in the socks was soluble in alcohol. You've heard of amber shellac and so on? Well, I had navy blue shellac. bet you've never seen that!
That just created a thought about getting creative with non-colorfast cloth . . . .
Yep, and twice as durable as it is ugly.